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All About Beginning Pointe

Let’s talk about Pointe Shoes! Getting your first pair is a very exciting time, and there’s a lot to learn about getting ready, the shoes, and what to expect. We talk about pointe shoes, exercises to prepare, and more.

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Broche Banter, Practicing Julie Gill Broche Banter, Practicing Julie Gill

Why and how to practice

Why do some dancers excel faster than others? Maybe talent has something to do with it, but I believe that individual practice plays a larger role. You need time to focus in on the areas that are most difficult for you, to experiment with solutions, and solidify what you've learned. Class time is great for learning new steps, learning from peers, and gaining stamina, but it will never replace individual practice.

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Practicing, Broche Banter Julie Gill Practicing, Broche Banter Julie Gill

3 tips to get the most out of plie exercises

Every ballet class begins with plies. The plie is a time to center yourself, prepare your mind, and begin to warm up your body. But, with such a repetitive and seemingly easy exercise (don’t be fooled!), it's easy to just go through the motions.

Next time you're in class, try these tips to help you get the most out of your class from the very beginning.

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Broche Banter Julie Gill Broche Banter Julie Gill

My first pointe shoes

Pointe was something I always admired and was curious about. A friend bought a pair of signed pointe shoes from the New York City Ballet for me. They were very inexpensive, but it was such an exciting gift. I remember putting those shoes on, just to feel what it felt like. It seemed like a far away goal, and something I couldn't reach. I didn't know if someone who started dancing as late as I did could get onto pointe.

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Broche Banter Julie Gill Broche Banter Julie Gill

My first ballet class

The year was 2007, and I was getting ready to start my senior year of high school. At the time, I was still living with my parents in San Diego. I had recently gotten an after school job as a medical billing assistant and had my own car. I decided that I wanted to start ballet. I don't exactly remember what the final catalyst was, or when I first became interested in ballet, but something compelled me to go for it.

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Practicing Julie Gill Practicing Julie Gill

Write everything down

I've recently been inspired by Steven Johnson's book and TED talk and Netflix documentary on where good ideas come from. Good ideas don't come from individual Eureka moments, but instead from many years of cultivating a wide range of ideas. Over time, these ideas collide in different ways, and in these collisions, new discoveries are made. Things that didn't make sense previously can make perfect sense in light of new ideas and learnings.

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Broche Banter Julie Gill Broche Banter Julie Gill

The value of variety

Throughout the years, I've taken classes all over town (and the country), with many different teachers, in many different styles. In this post, I’ll share what I've learned from each style I’ve tried.

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Body Positions and Arabesques of Ballet | Back View Images

Between all the different schools of ballet (Cecchetti, Vagonova, RAD, French), there are over 10 body positions and 6 different arabesques. Wow!

These positions can be super confusing and feel really arbitrary. But that’s because they are rather arbitrary! These are a curated collection of ways that we can hold our arms and legs that the creators of ballet thought were the most aesthetically pleasing. That’s why different schools have slightly different positions — those creators preferred a slightly different look.

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